Datasets (2020)
SPACES; Cleveland, Ohio, USA
Human Computers (2020)
Locust Projects; Miami, Florida, USA
University of Nevada, Reno; Reno, Nevada, USA
First There Is A Mountain, Then There Is No Mountain, Then There Is (2018)
King's College, University of Cambridge; Cambridge, England
I Touch You And You Touch Me (2017)
Harvestworks; New York, New York, USA
White Noise Boutique (2015)
Commissioned by Brighton Digital Festival; Brighton, England
Impossible In Another Form (2014)
George Mason University Gallery; Fairfax, Virginia, USA
A Very Deep Saxophone And A Very Long Guitar (2013)
With Damon Lee, Sheldon Museum of Art; Lincoln, Nebraska, USA
Seam Sorting (2013)
LEVEL Gallery, Lawrence Technological University; Detroit, Michigan, USA
Glistening Waves (2011)
Harvestworks; New York City, New York, USA
Lamination (2008)
Local Project; Long Island City, New York, USA
Wavering Cedar and 100,000 Blades of Grass (2007)
Department of Safety; Anacortes, Washington, USA
Recording Exchange (2006)
Hogar Collection Gallery; Brooklyn, New York, USA
Data Primitives
MASS Gallery; Austin, Texas, USA
Koopman Distinguished Chair in the Visual Arts Exhibition
University of Hartford; Hartford, Connecticut, USA
Also Tubes
Unrequited Leisure; Nashville, Tennessee, USA
The Virtual is (Always) Already Real
BronxArtSpace; New York City, New York, USA
e/co,li:b-re.bel
Piksel Festival for Electronic Art and Free Technologies; Bergen, Norway
Future Relics
Vector Festival/InterAccess; Toronto, Canada
Do Or Delegate
Onomatopee; Eindhoven, Netherlands
Who Does What
Drugo More Gallery; Rijeka, Croatia
NeurIPS Machine Learning for Creativity and Design
NeurIPS 2018 Conference; Montréal, Canada
Every Radio Station
Part of TuftsPUBLIC and Wave Farm in residence
Tufts University; Boston, Massachusetts, USA
Digital Spring Festival
Salzburger Kunstverein; Salzburg, Austria
Future Perfect
Hygienic Gallery (part of Intersections: the 16th Biennial Symposium on Arts & Technology); New London, Connecticut, USA
Wave Farm 1997–2017: Twenty Performances for Twenty Years
Fridman Gallery; New York, New York, USA
0x
Terra Gallery/Ethereal Summit; San Francisco, California, USA
Radical Networks
Brooklyn, New York, USA
Mind-Body Dualism
SIGGRAPH Asia 2017; Bangkok, Thailand
Root Signals Festival
Georgia Southern University; Statesboro, Georgia, USA
Arts on Division Video Festival
Somerville, New Jersey, USA
Sound_Attempt_Error
Like A Little Disaster/Omphalos Gallery; Terlizzi, Bari, Italy
Art of Bots
Organized by Abandon Normal Devices
Somerset House; London, England
Art2Code
Exhibition at College Art Association Conference
Washington DC, USA
Game On! El Arte En Juego
Buenos Aires, Argentina
Technologism
Monash University Museum of Art; Melbourne, Australia
/mit ðə detə/: Source Materials Visualized
The Center for Book Arts; New York, New York, USA
Somewhere In-Between
ArtHelix; Brooklyn, New York, USA
Inverted Normals
Rowan University; Glassboro, New Jersey, USA
Into Thin Words
LALD Space; Polignano a Mare, Italy
Weird Science
Kunsthalle Galapagos; Brooklyn, New York, USA
INTERP
Commissioned by Turbulence
Code Poetry Slam 1.1
Stanford University; Stanford, California, USA
First Annual Invitational Exhibition
Kunsthalle Galapagos; Brooklyn, New York, USA
Net.Works 2.0
Vector Game + Art Festival; Toronto, Canada
Computers on Law & Order
Commissioned by Rhizome, premiered at the Museum of the Moving Image; Queens, New York, USA
Hammer, Anvil, Stirrup: People Make Things That Make Sounds
Lux Center for the Arts; Lincoln, Nebraska, USA
Code Conference: Media, Games, and Art
Swinburne University of Technology; Melbourne, Australia
10th Annual Piksel Festival
Bergen, Norway
Redact/Froth/Expand/Smash/Stitch: New Video Works
Co-organized with Sharon Kennedy (Sheldon Museum of Art)
Sheldon Museum of Art; Lincoln, Nebraska, USA
WATCH IT!
Taubman Museum of Art; Roanoke, Virginia
Performance at the Bemis Center for Contemporary Art
Bemis Center for Contemporary Art; Omaha, Nebraska, USA
Performance at Not Festival
New York City, New York, USA
BYOB Linz (Bring Your Own Beamer)
grrrilla galleries; Linz, Austria
The Poetics of Data
Essay series on LemonHound.com
{SØNIK} v2.0 Festival
Bronx Art Space; New York City, New York, USA
One Night Stand (part of the "The Dissolve" biennial)
SITE Santa Fe; Santa Fe, New Mexico, USA
Sounding Landscapes
Shu-box Theatre, University of Regina; Regina, Saskatchewan, Canada
The Product of Exchange
Sudhaus; Berlin, Germany
New York City Electroacoustic Music Festival
Graduate Center, City University of New York; New York, New York, USA
Wyatt Nash and Jeff Thompson
Local Project; Long Island City, New York, USA
Reduplication of the Real
Tactile Bosch Gallery; Cardiff, Wales
13th International Video Festival VIDEOMEDEJA
Museum of Contemporary Art of Vojvodina; Novi Sad, Serbia
Kunstfilmtag
Malkasten Theater; Düsseldorf, Germany
… a very loud silence
Le Flash; Atlanta, Georgia, USA
Academia Invitational
Museum of Nebraska Art; Kearney, Nebraska, USA
Stored and Filtered: Technology, Time, and Landscape
Texas Firehouse; Long Island City, New York, USA
Investigations of Place
Jersey City Museum; Jersey City, New Jersey, USA
Material Reciprocity
Possible Projects; Brooklyn, New York, USA
Resonance in Residence
3rd Ward Gallery; Brooklyn, New York, USA
Dis-Echo-Nance
Hunter College Times Square Gallery; New York, New York, USA
Altered Landscapes
Salisbury University Electronic Gallery; Salisbury, Maryland, USA
Transart Institute Faculty Exhibition
BV Gallery; Linz, Austria
Music Reclamation Project
Hogar Collection Gallery; Brooklyn, New York, USA
Spark Festival of Electronic Music and Art
Weisman Art Museum, University of Minnesota; Minneapolis, Minnesota, USA
Performance for Oranges
White Box Gallery; New York, New York, USA
Re-Surfacing
Hopkins Hall Gallery
Ohio State University; Columbus, Ohio, USA
All the Kings Horses
Asterix Gallery; Cleveland, OH
SoundLab - Memoryscapes
Al Kahf Art Gallery; Bethlehem, Palestine
Contemporary Art Museum; Casoria/Naples, Italy
Museo Arte Contemporaneo; Santa Fe, Argentina
Offizyna Art Space; Szczencin, Poland
The Whole is the Sum of Its Parts
Hogar Collection; Brooklyn, New York, USA
Stolen Time
Dam Stuhltrager; Brooklyn, New York, USA
Fresh Meat/Young Blood
Shore Institute for Contemporary Art; Long Branch, New Jersey, USA
Crossed Circuits
Performance at Hogar Collection; Brooklyn, New York, USA
First Look
New Jersey Center for Visual Arts; Summit, New Jersey, USA
Diagram and Scribble Archives
Stony Brook University Gallery; Stony Brook, New York, USA
Spectrum: Works on Paper
Hogar Collection; Brooklyn, New York, USA
Sight/Sound: New Performance
Rutgers University; New Brunswick, New Jersey, USA
Rutgers Center for Innovative Print and Paper (RCIPP) Exhibition
Mason Gross Gallery, Rutgers University; New Brunswick, New Jersey, USA
ISC 2004 Outstanding Student Achievement in Contemporary Sculpture
Grounds for Sculpture; Hamilton, New Jersey, USA
Box Fresh
Soap Factory; Minneapolis, Minnesota, USA
Artist-in-Residence (2020, upcoming)
SPACES; Cleveland, Ohio, USA
Artist-in-Residence (2019)
University of Nevada, Reno; Reno, Nevada, USA
Georgette and Richard Koopman Distinguished Chair in the Visual Arts (2019)
University of Hartford; Hartford, Connecticut, USA
Emergency Grant (2019)
Foundation for Contemporary Art; New York, New York, USA
Visiting Fellow (King's College) and Artist-in-Residence (Computer Laboratory), University of Cambridge (2018)
Cambridge, England
Nokia Bell Labs Faculty Fellow in the Arts (2018)
Stevens Institute of Technology; Hoboken, New Jersey, USA
Arist-in-Residence at Willipa Bay (2018)
Oysterville, Washington, USA
Digital Spring Festival Commission (2018)
Salzburg, Austria
Lumen Prize (2017)
The Physical Location of Every Byte short-listed for the Still Image award and I Touch You And You Touch Me nominated and long-listed for the British Computer Society award for Art and AI
Artist-in-Residence at Wave Farm (2017)
Acra, New York, USA
Artist-in-Residence at Bell Labs (2016)
Murray Hill, New Jersey, USA
Artist-in-Residence at Center for New Art (2016)
William Patterson University
Wayne, New Jersey, USA
Brighton Digital Festival Commission (2015)
Brighton, England
Artist-in-Residence at Impakt.nl (2014)
Utrecht, Netherlands
Turbulence.org Commission (2014)
New York/Massachusetts, USA
Creativity + Technology = Enterprise Grant (2013)
Harvestworks; New York, New York, USA
Internet Archive Curatorial Residency
Online machine-learning/curatorial project pulling from Internet Archive's extensive online collection
Research Council Grant-in-Aid (2013)
University of Nebraska-Lincoln
Rhizome Commission (2012)
New York, New York, USA
Nebraska Research Initiatives Grant (2012)
Co-PI with Holland Computing Center
Hixson-Lied College of Fine and Performing Arts Creative Research and Travel Grants (2009-2013)
Artist-in-Residence at the Holland Computing Center (2009-2013)
Lincoln, Nebraska, USA
Van Lier Fellowship (2008)
Harvestworks; New York, New York, USA
Dispatx.com Commission (2007)
Department of Safety Artist-in-Residence (2007)
Anacortes, Washington, USA
Elsewhere Artist Collaborative
Artist-in-Residence: 2007 and 2009 (with Angeles Cossio)
Greensboro, North Carolina, USA
Vermont Studio Center (2006)
Nadine Goldsmith Fellowship; Johnson, Vermont, USA
VanDerlip Travel Award (2004)
Minneapolis College of Art and Design; Minneapolis, Minnesota, USA
Press, reviews, and interviews include:
"Chairs and Supercomputers: Artists and AI"
O'Reilly AI Conference; New York, New York, USA
"Building Next-Step Resources"
Processing Community Day/New School; New York, New York, USA
"Chairs and Supercomputers: Artists and AI"
Leverhulme Centre for the Future of Intelligence
Cambridge, England
"Empty Apartments"
Photo History/Photo Future Conference 2018
Rochester, New York, USA
"Texts from the Network: A Reading"
Radical Networks 2016
Brooklyn, New York, USA
"Chairs and Supercomputers"
Bell Labs (2016)
Murray Hill, New Jersey, USA
"Computers on Law & Order"
Digital Humanities Conference 2016
Kraków, Poland
"View Source: A Web Digging Workshop"
Digital Humanities Conference 2016
Kraków, Poland
"Computers on Law & Order"
Keystone Ditigital Humanities Conference 2015
Philadelphia, Pennsylvania, USA
"Computers on Law & Order"
HASTAC Conference 2015
East Lansing, Michigan, USA
"The 12-Hour Class Period: Game Jams and Hackathons as a Classroom Model"
FATE Conference 2015; Indianapolis, Indiana, USA
Drift Station
Co-founder and director with Angeles Cossio (2009-present)
Various locations
"Transmission and Openness: Strategies for the Geographically and Economically Disadvantaged"
FATE Conference 2013; Savannah, Georgia, USA
Art and Supercomputers
TEDxUNL
Sheldon Museum of Art; Lincoln, Nebraska, USA
"Data, Poetics, and Supercomputers"
Part of the panel "Changing Paradigms: Art and Technology"
SECAC Conference 2011; Savannah, Georgia, USA
"Data as Medium" (panel chair)
College Art Association Annual Conference, 2011
New York, New York, USA
Art Exhibition Reviewer
Siggraph Asia Conference 2009
"Data as a Creative Visual Medium" (panel chair)
Harvestworks; New York, New York, USA
College Art Association 2008
Dallas, Texas, USA
Texas Firehouse Gallery
Co-founder and director (2007-2009)
Long Island City, New York, USA
Artist Talks:
Princeton University
University of Nevada, Reno
Heong Gallery, Downing College, University of Cambridge
Centre for Research in the Arts, Social Sciences, and Humanities (CRASSH), University of Cambrdige
Anglia Ruskin University
William Patterson University
University of Pennsylvania
Ohio University
Harvestworks/New York Electronic Arts Festival
University of North Texas
University of Hartford
Webster College
Essex Community College
Assistant Professor and Program Director, Visual Arts & Technology
Stevens Institute of Technology; Hoboken, New Jersey, USA
Assistant Professor of Digital Arts + New Genres
University of Nebraska-Lincoln; Lincoln, Nebraska, USA
Adjunct Professor of Digital Art and Video
Montclair State University; Montclair, New Jersey, USA
Faculty and mentor
Transart Institute MFA Program; Linz, Austria
Stethoscope Attachment for Mobile Phone
Mobile Health Technologies
Springer Press (forthcoming)
Book chapter on an 3D-printed attachment for the iPhone to record stethoscope sounds
What I See When My Eyes Are Closed
Parsons Journal for Information Mapping
New York, New York, USA (2012)
Paper on data visualization and poetics
Emergency Index
Ugly Duckling Presse
New York, New York, USA (2012, 2014)
Work included in this book documenting contemporary performance
Data and Poetics
LemonHound blog (2011)
A series of posts exploring the relationship of data and poetry
New York Center For Book Arts
New York, New York, USA
New York Public Library
New York, New York, USA
Zimmerli Art Museum, Rutgers University
New Brunswick, New Jersey, USA
Rutgers Center for Innovative Print and Paper Collection
New Brunswick, New Jersey, USA
Wexford Art Centre Artist Book Collection
Wexford, Ireland
"Power/Field" compilation
Anarchy Moon Recordings, curated by Bob Bellerue, 2010
"Wavering Spruce and 100,000 Blades of Grass"
Self-released, 2008
"Winter Recordings"
Self-released, 2006
Empty Apartments
Drift Station (online at emptyapartments.net)
Exhibition of 125,000 images of apartments for rent, scraped from Craigslist and sorted by visual similarity.
FieldGuide
Drift Station; Lincoln, Nebraska, USA
Publication of a practical handbook for starting and artist-run space
Bookstore
Drift Station; Lincoln, Nebraska, USA
Exhibition of nearly 1,200 artist books, zines, and other print publications
10,000 Pixels
Art Micro-Patronage, online
International online exhibition of works exploring extreme limitation
Chopped & Stretched
Drift Station; Lincoln, Nebraska, USA
Curated with Angeles Cossio; including limited edition compilation CD
mailto:
Drift Station; Lincoln, Nebraska, USA
Curated with Angeles Cossio
Find & Replace
Drift Station; Lincoln, Nebraska, USA
Exhibition exploring the manipulation of the atomistic units of digital media.
Redacted Perfection
Drift Station; Lincoln, Nebraska, USA
Curated with Angeles Cossio
Work Makes the Work
Eisentrager Howard Gallery; University of Nebraska-Lincoln
Lincoln, Nebraska, USA
Exhibition of work by 17 artists exploring how the physical means of production creates meaning in work.
Stored & Filtered: Time, Technology, and the Landscape
Texas Firehouse Gallery; Long Island City, New York, USA
Exhibition examining the landscape through the lens of technology, especially works existing across time and physical space.